“Jealousy In Love”
“Jealousy is all the fun you think they had”. Erica Jong
“A competent and self-confident person is incapable of jealousy in anything. Jealousy is invariably a symptom of neurotic insecurity”. Robert A. Heinlein
Robert Anson Heinlein (July 7, 1907 – May 8, 1988) was an American science fiction writer. Often called the “dean of science fiction writers”, he was one of the most influential and controversial authors of the genre in his time. He set a standard for scientific and engineering plausibility, and helped to raise the genre’s standards of literary quality.
“I never learned from a man who agreed with me”. Robert A. Heinlein
“I am drawn to women who are independent and creative, which is problematic because it’s a struggle, a competition of careers. There’s jealousy”. Marilyn Manson
“Those who are believed to be most abject and humble are usually most ambitious and envious”. Baruch Spinoza
“The jealous are troublesome to others, but a torment to themselves”. William Penn
“From heresy, frenzy and jealousy, good Lord deliver me”. Ludovico Ariosto
“Jealousy… is a mental cancer”. B. C. Forbes
“Why do we feel jealousy? Therapists often regard the demon as a scar of childhood trauma or a symptom of a psychological problem. And it’s true that people who feel inadequate, insecure, or overly dependent tend to be more jealous than others”. Helen Fisher
c.1200, gelus, later jelus (early 14c.), “possessive and suspicious,” originally in the context of sexuality or romance; in general use late 14c.; also in a more positive sense, “fond, amorous, ardent,” from c.1300, from Old French jalos “keen, zealous; avaricious; jealous” (12c., Modern French jaloux), from Late Latin zelosus, from zelus “zeal,” from Greek zelos, sometimes “jealousy,” but more often in a good sense (“emulation, rivalry, zeal”). See zeal. In biblical language (early 13c.) “tolerating no unfaithfulness.”
Most of the words for ‘envy’ … had from the outset a hostile force, based on ‘look at’ (with malice), ‘not love,’ etc. Conversely, most of those which became distinctive terms for ‘jealousy’ were originally used also in a good sense, ‘zeal, emulation.’ [Buck, pp.1138-9]
Among the ways to express this in other tongues are Swedish svartsjuka, literally “black-sick,” from phrase bara svarta strumpor “wear black stockings,” also “be jealous.” Danish skinsyg “jealous,” literally “skin-sick,” is from skind “hide, skin” said to be explained by Swedish dialectal expression fa skinn “receive a refusal in courtship.”
Jealousy in love
“Jealousy contains more of self-love than of love”. Francois de La Rochefoucauld
“There is no greater glory than love, nor any greater punishment than jealousy”. Lope de Vega
The Tragedy of Othello, the Moor of Venice is a tragedy by William Shakespeare, believed to have been written in approximately 1603, and based on the Italian short story Un Capitano Moro (“A Moorish Captain”) by Cinthio, a disciple of Boccaccio, first published in 1565. The work revolves around four central characters: Othello, a Moorish general in the Venetian army; his new wife, Desdemona; his lieutenant, Cassio; and his trusted ensign, Iago. Because of its varied and current themes of racism, love, jealousy and betrayal, Othello is still often performed in professional and community theatres alike and has been the basis for numerous operatic, film and literary adaptations
Shot between 1948 and 1952, Orson Welles directed The Tragedy of Othello: The Moor of Venice (1952), produced as a black-and-white film noir. The film stars Welles as Othello and Suzanne Cloutier as Desdemona.
The troubled production was filmed over the course of three years as Welles’ time and money permitted, in Mogador, Morocco and Venice. Lack of funds (and costumes) forced Roderigo’s death scene to be shot in a Turkish bath with performers wearing only large, ragged towels. The film won the Palme D’Or at the 1952 Cannes Film Festival.
“Love is that condition in which the happiness of another person is essential to your own… Jealousy is a disease, love is a healthy condition. The immature mind often mistakes one for the other, or assumes that the greater the love, the greater the jealousy”. Robert A. Heinlein
For Heinlein, personal liberation included sexual liberation, and free love was a major subject of his writing starting in 1939, with For Us, The Living. During his early period, Heinlein’s writing for younger readers needed to take account of both editorial perceptions of sexuality in his novels, and potential perceptions among the buying public; as critic William H. Patterson has put it, his dilemma was “to sort out what was really objectionable from what was only excessive over-sensitivity to imaginary librarians”.
By his middle period, sexual freedom and the elimination of sexual jealousy were a major theme of Stranger in a Strange Land (1961), in which the progressively minded but sexually conservative reporter, Ben Caxton, acts as a dramatic foil for the less parochial characters, Jubal Harshaw and Valentine Michael Smith (Mike).
“Sex without love is merely healthy exercise”. Robert A. Heinlein
“Heinlein is a problematic case for feminists; on the one hand, his works often feature strong female characters and vigorous statements that women are equal to or even superior to men; but these characters and statements often reflect hopelessly stereotypical attitudes about typical female attributes. It is disconcerting, for example, that in Expanded Universe Heinlein calls for a society where all lawyers and politicians are women, essentially on the grounds that they possess a mysterious feminine practicality that men cannot duplicate.” Gary Westfahl
“Women and cats will do as they please, and men and dogs should relax and get used to the idea”. Robert A. Heinlein
“Jealousy lives upon doubts. It becomes madness or ceases entirely as soon as we pass from doubt to certainty”. Francois de La Rochefoucauld